“Box of Shadows” trailer

e. gustavo | narrative | Monday, March 1st, 2010

The currency independent filmmakers have is time, or at least time well spent. “Box of Shadows” is the feature film I shot late last year and it is now heading for the home stretch. The updated website and trailer are online and ready to be viewed and hopefully talked about.


Zombie Roadkill – PUs

e. gustavo | narrative | Thursday, February 11th, 2010

Piece by piece… We get closer to the end. Had a chance to see a cut of the series and it looks good. Should be fun, funny and well received (one hopes). Of particular fun was shooting the squirrel cam footage on the front of a car with some new stuff I bought for the occasion. See the picture and prepare to be titillated!

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Squirrel cam & skunk cam (patent pending, patent pending)

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Good day at the office…
The fog tent or as I like to call it the “three days less of my life but the shot matches principle photography” tent

“Meltdown” wins first prize…

e. gustavo | narrative | Saturday, January 9th, 2010

…and a golden underwear trophy. Awesome. Tonight “Meltdown” won big at the Box[ur]Shorts film festival (see the blurb on their website). The festival’s awards screening took place at the New Beverly Cinema and was attended by a by a packed house. It was an awesome night and all the films in the top ten were so impressive – great company to keep. A million thanks to the festival coordinators for putting on a wonderful event and thank you to the sponsors for a wonderful gift basket and the free booze. Yeah us!

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Me, David (director) and Ryan (producer) and the golden undies.

“Box of Shadows” post-production nears end

e. gustavo | narrative | Saturday, January 9th, 2010

2010 is shaping up wonderfully. The feature I shot late last year is nearly completed with picture lock a couple of weeks away. Today, we shot a few FX shots of the new grim reaper for the trailer and it looks absolutely fantastic. I can’t wait to share the trailer which should be done in a few weeks also.

We had planned on shooting on the Panasonic HVX200 but it produced too much noise and compression artifacting to be useful. I took along my Canon 5D Mark II to shoot behind the scenes but ended up shooting the plates with that. We were all surprised by the improved image quality of the camera in video mode and were able to overlook the annoyance of the 30fps frame rate. Best of all was when we shot full frame stills as image sequences. Very clean keys from that. Our VFX supervisors will be taking those image sequences and apply a little frame interpolation in between frames as well as other hocus-pocus. The staccatoed motion is creepy and lends itself to what we’re trying to do with the character. It’ll be a huge improvement to the film. It’ll be fun when it’s all done.

“Wards of America” – trailer

e. gustavo | narrative | Saturday, December 19th, 2009

Earlier this year I purchased a 5D. Love it. Absolutely, love it. I’ve done some food photography, taken some wonderful photos of my pets, and captured some behind-the-scenes photos from some of my productions as well as holiday memories. Without a doubt, the larger chip and image processing with the 5D is leaps and bounds better than my last DSLR. As for motion images, nothing significant as yet but I might in a couple of weeks when I shoot a music video.

This weekend, I had a chance to shoot a trailer on a reservation just outside of Reno using the Canon 7D. The verdict… images are great, the working pipeline not so much. I’m hoping to have some screen shots soon. I’ll also write more soon as I collect my thoughts on the process. Till then here are some photos from the shoot. (Photos take with my iPhone & 5D)

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Crew and director review a shot.

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Brave actor shivers in the cold – Stone Mother and Basket at Pyramid Lake

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The Pyramid

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Me standing in front of what I think is the Temple of Doom.

“Zombie Roadkill” – webseries

e. gustavo | narrative | Monday, December 14th, 2009

I can’t wait to write more about this fantastic project but it’ll likely have to wait until the series is released. For now, what I can say is that this week I shot a web series directed by David Green. It’s being produced by Ghost House Pictures and will be shown on Fearnet.com as well as on Pay-Per-View on the Comcast cable television system.

We’re shooting with two the Panasonic HPX-3000 cameras, a couple of Panasonic HVX200 cameras and a Sony EX3. Almost all of it takes place at Griffith Park in Los Angeles, CA. Quantum Creation FX created our puppets.

It’s a long list of great people who worked on the project. I’ll update and thank a bunch of those folks in the couple of days. Till then, a heartfelt thank you to all the wonderful folks to worked on this project. You’re the best.

Here’s some online news clips: Fearnet.com / Variety / Huffington Post / IMDb

“Dead Air” on Netflix

e. gustavo | narrative | Thursday, November 26th, 2009

DEAD AIR on Netflix… sweet. Who knew!? I shot this movie a couple of years back and it’s good to see it out there for the masses to see.

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“Box of Shadows”- BTS Interview

e. gustavo | narrative | Thursday, September 24th, 2009

I have a bit of a love/hate relationship with being interviewed on camera. Tonight I was interviewed for the “Box of Shadows” behind-the-scenes video. I think I’m getting better at it. It’s all about the practice, honing the craft. Yes, I think this is part of the job. The way I look at it, everyone who works on a film needs to support the film if it’s gonna succeed. Word of mouth, blogs, social networks – it’s all about getting the buzz going. I’m just doing my part. Can’t wait for the updated website to go online. It’ll have some of the BTS as well as a teaser and more pictures and press.

“Box of Shadows” – feature film

e. gustavo | narrative | Saturday, August 1st, 2009

July 31: Done, done, and done. 24 days of shooting is over. I’m very proud of our little film and I look forward to sharing footage as it becomes available to the public. Great job everyone involved in making this production.

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Mike you’ve been using your legs like a sucker all this time.

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Andrew and his short-shorts – Yer a braver man than I, Gunga Din
Andrew’s “cop lights” gag

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Jeff (“Sutton”) – notice anything different about him?
Mauro B (Director) & Pam (Casting) “What are we waiting for?!”

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Another self-portrait
Oh “Jimmy” – boys will be boys!

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Who broke the toilet?!
Morning surprise from the house puppy! Clean up on isle one.

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Haley (Set Dec.) cools off from the scorching Valley sun
Pam (Casting) gets caught up on all the celebrity dish at lunch

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I think we broke Dave (1st AD)
Reel 38!!! We were hoping to hit 100 to break open the chapagne

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Gabriella (Exec. Prod.) treats the crew to ice cream! So welcomed.
Drew’s (1st AC) new toy – laser measuring device

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Please don’t fall on the nice actor
Ha, ha, fun with my glasses. Everybody take turns -but, Koby won.

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Don’t be scared Jarod, it’s only a movie (“Platt”)
Drew operates while Janell (2nd AC) practices pulling focus

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Mike (PA) readies for the inevitable – zombieness
Yoshi (G/E) with a new hairdo! Nice look.

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Reza (Sound Mixer) steps in for Chris (who’s on vacation!)
Wes (“Young Man Addict”) readies for his scene – intense!

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Last shot of the shoot – car-to-car
Mauro (Dir.) and his wife – super sweet

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The boys sans Andrew M.

July 20: We’ve concluded the third week of principle photography and so far so very good. Here are some pics from behind the scenes. In the next few days, I’ll add notes and anecdotes about the show. Till then, enjoy.

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Our first shot of the movie, a hostess tray shot from our “hero” vehicle.
Chirs H. (Sound Mixer) along for the ride. Man that coffee looks good!

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Brian (PA, bless his heart) filling in the role of 2nd AC
1st AC, Drew A. dealing with tight spaces in a mobile home

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Jason (1st AC) readies for the heat under the tent
Mike filling in the 2nd AC duties

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Kazu (Key Hair/MU) painting in veins and tracks
Chris and me high atop Dap Studios

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Day-for-Night

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Prepping for the Safe POV – cool

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Mauro B. (Director) directs Aaron (“Kyle”) during the breaking up scene
Drew A. (1st AC)

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Key Grip Andrew M. after a long nights journey – great shirt!
Cody (Data Acquisition) and Russell Y. (Post Supervisor) still in a good mood after a long night

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Let the training begin
Liz (“Julie”) in the ring ready to knock me out

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Day one at Willow Studios
Koby (BB Grip) preps the dolly track and keeps us all smiling – woki masu!

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Tape measures are so last century!
Finally inside at Willow Studios

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View from the top floor.
Kazu admires and Mike (Art Dept.) readies to help out Jeff S. (Stunts & Pract. FX) with a knife throw

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Ah, the burning coffin

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The last photo has nothing to do with this. This is what we saw at the end of our day and the beginning for everyone else. It seems it was a warehouse with old cloths.

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The start of our day with the sun setting on downtown.

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Jeff S. et al. prep for the fall off the side of the building.

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My favorite pic of me from the shoot.
Library in Silver Lake. Awesome Craftsman style design.

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Mauro lining up a shot at Escarpment Studios. I’m so glad i got a photo of this.
Wife brings cupcakes to set. Yum.

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Mauro is the pinball wizard – don’t mess with the man!
Jeff S. (Stunts) helps Jarod G. (“Platt”) with a stunt

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Creepy stuff in the basement
Chris (Grip) waits like a cat ready to spring into action

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New food from a new caterer
Andrew (Key Grip) and Chris (Grip) reporting for duty

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Mauro’s (Director) beautiful handiwork
Drew’s (1st AC) fortune cookie messages for the slate

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Sandwich from Langer’s – what a great way to start the day – Thank you wife
Brian (PA) might have found a new profession in Art Dept.

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Get to work – OK, it’s really is funny!
I love this mirror – I look so thin

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Drew (1st AC) and Andrew (Key Grip) are ready for the Hogan’s Hero’s as Klink and Shultz
A tried Brian (PA) awaits the end of the day

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Moment of Zen – no, not really. just something i thought looked really cool – the chains that bind perhaps

June 4: Happy 4th of July! Week one of principle photography is done. Started the week with a 7:30AM call time and ended the week with a 10PM call. I love all-nights like I love events with an open bar, great while it’s happening but the next day not-so-much. I’ll post some pics soon. Till then, it’s been a great start of the show, with some great images, great performances and working with a really great crew.

June 29: Today we started principle photography on the movie. Rough first day but what we got was worth it. Just review the first half of the day’s still images and we got some good stuff. More to come…

June 22: Gearing up for another RED feature movie with pre-production going on this week. It’s a great script and our test from not too long ago looks great. Can’t wait to share more in the coming weeks.

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This is a great one-sheet.

The 20 Second Rule at Palm Springs Film Fest

e. gustavo | narrative | Sunday, July 26th, 2009

June 26: I have been so derelict in not adding this to my blog, so here goes… “The 20 Second Rule” screened at the Palm Springs Short Film Festival.

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View from our hotel room. Jeff Cole suggested this hotel – what a great suggestion! I loved this place.
Our room key. A great room, full bar, more like a loft than a hotel room and it’s dog friendly! Loves it.

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Clay’s “taxicab photo” – nice
And the contestants are… This was one of the best run film festivals I’ve been to. The last film festivals I’ve had a film in have been scheduled with an odd sort of films. This one, all the films were first and foremost, actually short (how novel). The all has the same tone, in our case comedy. It made it more cohesive and easier to watch one after the other. Great job.

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Pimping our movie.
Packing the screening. Say “cheese” everyone.

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My beautiful wife and me.

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What a fine way to end the evening. A little fight broke out back at the hotel between a drunk and a drunk. It seems that the Mike Tyson school of fighting is doing well. You might be able to see it in the photo but if you look real close in the upper third of the screen just left of center, you’ll see a tiny bit of ear. That’s right… ear! Dude really, what the hell. Fight like a man!

More festival news for Meltdown…

e. gustavo | narrative, other | Saturday, July 25th, 2009

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2009 Aug 07 – “Meltdown” will be screening on Aug 09 at 8:30 PM as part of HollyShorts Film Festival. If you can make it to the screening, your support and boisterous laughs will be much appreciated, not to mention your five star rating of our little awesome food movie. If you want to learn a bit about the movie, check out the official website or read all about it on my blog.

2009 July 25 – “Meltdown” was accepted into more Film Festivals. It’s on the road to stardom me thinks. It’s a good thing because we just finished the final color grading on it at AlphaDogs with colorist Brian Hutchings manning the controls. I’m hoping we’ll be able to show it online soon. Till then, you always have my previous posts to look at. Here’s a list of some of the festivals our awesome little movie will be screening at…


San Francisco International Short Film Fest

Fantastic Fest

DC Shorts Fest

HollyShorts Film Festvial

“Rust” – feature film – production

e. gustavo | narrative | Friday, June 12th, 2009

I’m back in Canada shooting the final scenes for the feature “Rust”. It’s at times beautiful here. Then you have the times when it rains and we needed a hot summer sun (can you say “re-writes”?). Otherwise great and great to see old friends. More very soon…

Festival bound…

e. gustavo | narrative | Friday, May 15th, 2009

“The 20 Second Rule” (director Clay Delauney) is officially in the Palm Springs International Short Film Festival (that’s a mouth full). It’s the first film festival for this project which makes it a world premiere. Here’s a teaser to the project:


Box of Shadows – testing, testing, testing…

e. gustavo | narrative | Thursday, May 14th, 2009

Finished shooting a two day “test” for a feature I’m shooting late next month. The project is called “Box of Shadows” and it’s being directed by Mauro Borrelli. We shot about seven pages from the script that included several key elements that we needed to test. Those included the look of the coffin and how it looked on camera, the visual effects, and post-production workflow with the Red One camera as well as trying to find the look of the film before day one of production.

Overall I think the two days went extremely well and I feel we learned a great deal. This week we’ll debrief about what we learned, what worked and what didn’t. I understand a rough assembly is done – can’t wait to see it.

Oh, so what’s the story about? Stay tuned…

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Mauro (director) and the Vincent (art director) review the coffin.

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→ A perfect fit. (The photo is a bit creepier upside down isn’t it?!)
↑ Red on the slider.

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And that’s a wrap…

Here’s a look at our tentative post-production workflow (Click to see a larger version).

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UPDATE: Saw the rough assembly and it looks great! Very happy. Can’t wait to post a web version online for you to see.

“Rust” – feature film – production

e. gustavo | narrative | Monday, March 2nd, 2009

I’ve been back a couple of weeks now, fully re-acclimated and quite over hearing the joke “are you thawed out yet?”! I finally found time to sit down and finish jotting down my thoughts, remembrances, impressions, notes, and observations.

While in the land of Canada, I kept a daily journal and what follows are some of the key points from each day while I was there.With a broad stroke let me offer this from the top. It’s good to be back – back with my wife, my dog, my friends, things, and my city. No lie, I do miss the new friends I’ve made and think (or at the very least, hope) that it won’t be long before I see them again.

WEEK ONE:

7 Feb 09: Today is a big day! It’s our first day of shooting. Arrived at the farmhouse about two hours ahead of our initial burn. The plan for the day was to burn a house. You read right, burn a house. AWESOME!

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↑ View of the farm house from the road.
→ Art Department and firefighters build the pyre. It was build between the house and the tree line windbreak. From the road, it looked like the house was on fire from the ground up.

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↑ Michael (1st AC) gets the camera ready.
→ Ready for the cold.

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↑ This was a solemn moment. A local pastor prays before the house goes up.

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→ There she goes.   

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↑ The camera didn’t want to behave under the cold conditions. Once the fire got going, so did the camera as the space around the house heated up.

8 Feb 09: Film school crash course today. The producers, the 1st AD and myself demonstrated for some of our actors who haven’t been on camera before what to expected on set. We went over all the calls, floor marks, etiquette, etc.

9 Feb 09: Need to eat more greens! Electrical department stuck in Winnipeg – snow storm.   

10 Feb 09: The official Day One of principle photography and I hear it’s a snow fall. In fact, I hear it’s the worst one in a decade.  So More roads closed and Corbin drives in today from Regina.

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↑ Chris A. (Prod) can be an angel some of the time.
→ Our ride in and out of this location get stuck in the snow.

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↑ Camera crew is cool.

11 Feb 09:

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↑→ The “visitation” set.

12 Feb 09:

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Are we missing anyone?!

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Michael makes sure it’s all safely secured.
Up, up and away!

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Please don’t let me fall!

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13 Feb 09:

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↑ One of our extras looking a bit like famed coach Paul “Bear” Bryant.
→ Horror frost at the cemetery.

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↑ What a handsome fellow.
→ I love this shot.

14 Feb 09:

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↑ And the town come out.
→ What a handsome duo.

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↑ Getting the camera back to temp. Notice that Meghan is using a hair dryer on the lens.

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↑ Night all.
→ Barbecue to end the day. Nice.

15 Feb 09:

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↑ Everyone making friends.
→ Where’s Meghan?!

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↑ Lovely.
→ Inspired. Our lights on wheels.

WEEK TWO:

16 Feb 09: Today was a day off but we still managed to take care of some stuff.

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↑ Who knew!? A basement. We had intended for Corbin to “walk amongst the ashes” of the burned house. Instead, became around.
→ Inspired.

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↑ Opps!.
→ Crew meal.

17 Feb 09:

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↑ The beast!
→ Brilliant!!! We needed to shoot a pickup of Preacher in a cemetery. Corbin found a cross, burried… BAM instant cemetery!

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↑ Could this be the Sword of Damocles hanging over my head?

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↑→ Calm in the center of a storm.

18 Feb 09:

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↑ Snow, snow, snow.
→ 1/2 of our doco crew.


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↑ Our super, fantastic, really neat, cross-your-fingers-it-works, long dolly shot…

19 Feb 09:

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↑ Curling with the lighting.
→ With a little help from our friends.

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↑ Petersen on ice.

20 Feb 09:

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↑ Corbin checks out the shot.
→ Nearing the end of a tough day.

21 Feb 09:

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↑ Love that hat!
→ Make it work.

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↑ The dreaded auditorium scene that turned out to be wonderful.

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↑ What a delightful bunch – now back to work.

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↑ The men.
→ Big night shot.

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↑ “so how does this work?”
→ I was allowed an honorary status.

22 Feb 09:

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↑ She’s a winner.
→ Cast, crew and community photograph. Corbin thanks everyone.

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↑ Camera department fun.
→ Guiding the light.

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↑ This is what it devolved to. The bar is closed and now, it’s measuring tape competitions.

WEEK THREE:

23 Feb 09:

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↑ Love this shot. (Thank you João)
→ João – bless his heart – comes out on our off day to lend a hand. Positive attitudes like that made this movie possible. ;-)

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↑ Corbin on the road again with our fake sign. We had thought of leaving it there and seeing how many folks start asking, “We have a new town called “Taft”?”.
→ Fancy.

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↑ Corbin signs a script for one of our actors.
→ The town comes out to see a teaser of the film. Every emotional. I hope they’re as proud as I am – only which the project was better. (At least I know the truth.)

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↑ Oscar Night at the Red Paper Clip House – I won shiny things I can’t bring over the boarder. :-(

24 Feb 09:

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↑ Chasing the dragon again.
→ Corbin and the cold… lots and lots of cold, and snow, and more snow and cold.

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↑ You guys are wicked cool!
→ Look ma, snow, again.

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↑ China lamps and Kino Flos
→ Flurries and a big light – it’s like the “bat signal”, yes?

25 Feb 09:

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↑ I love this photograph. The whole camera, electric and grip crew.
→ The fire’s aftermath and the snow – from about 14m up in the air in a death trap.

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↑ Heat pads, black duvetyne, car battery heater, heat lamp and a 2K – all to keep our little camera going.
→ Check out the frost on my mask. I need a nap.  

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↑ After a painful set of woes with our light – we’re up and running on yet another very cold night.   
→ “O merry, merry, merry are we, Happy as birds that sing in a tree!”

26 Feb 09:

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↑ What a hell of a day to take a bike ride.
→ Riding in the back of the van.

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↑ What a happy bunch. Steven, me, Skye, and Geoff. The last day and last scene the bulk of the “family” is together.

27 Feb 09:

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↑ Ah… the last day. We shot a few shots of the truck driving into town, i.e. Regina.

Gamma and Density 3cP in Canada…

e. gustavo | narrative, tech tips | Tuesday, February 10th, 2009

Just before leaving Los Angeles, I took the dive and purchased the Gamma and Density 3cP software and color chart. I recently used it on a corporate spot with green screen work and now it’s with me here in Canada for the pre-production and production work on the feature “Rust”. (Could I have still call it a film if it’s shot on the Red One?)

While here I’ve used it for pre-visualization of some locations and day-for-night shots. I’ve been taking photographs of locations in a RAW format and experimenting with look I’m proposing for the project using the 3cP software. Also, we shot some footage this weekend in what we’re calling a “camera test”. I’ve had a go with some of that footage already and it’s great to see options I’ll have in the final grading suite. I’ll try to write more about the software and how it’s being used in this production during my day off. So far it’s been really great. I have a beta version of the upcoming release whose upgrade is focused on Red workflow implementation. I have to say that so far I’m very impressed.

Till then.

“Rust” – feature film – pre-production

e. gustavo | narrative | Sunday, February 1st, 2009

Updated the pre-production blog…

6 Feb 09: Fell on my butt on an icy concrete sidewalk. Nice way to start the morning.

5 Feb 09: Met our 1st Assistant Camera, Michael. He came in with a goat-tee and a Kangol hat – I like him already!!!

Quote of the day… “No fires, only solutions!” ~ Terry (1st AD)

4 Feb 09: Considering shooting the this weekends farm house day-for-night (or more precisely, evening for night). I’m proposing that we shoot the initial burn – a shot from a road to the house where the camera will be some 300 meters away during “magic hour”. I’m suggesting we build a pyre some five meters from the house on the side that faces the street with the hope that the distance will give the illusion that the fire is at the base of the house. The following images were transformed to DFN from photos I took of the location, at mid day, using the 3cP software I brought with me. I darkened the sky and ground using mattes (or power windows) and took out some color. The image on the right also has some fire and smoke I added using Motion and After Effects. Not too bad. We’ll see how it looks on the day.

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↑ First pass at making a day-for-night from a location scout image.
→ Second pass after adding some fire and smoke.

03 Feb 09 / 2100 CST: This $H!7 is getting real! Yeah Boy!!

And time yet for a hundred indecisions, And for a hundred visions and revisions, Before the taking of a toast and tea.

It’s getting crazy ’round here. The office is buzzing.

Location scouting today with Art and the AD. I got my “snow story” today. We got stuck in the snow. Back and forth and push and pull and back and forth and spinning tire and stop. Repeat. Almost a half hour of this! Then a kind ol’ guy came with a shovel and helped us out. My quote of the day might have just have to go to him… “You should always carry a shove. It’s a good thing to have a round.” Amen to that.

02 Feb 09 / 2100 CST: Out right cold today! As nearest I could tell, it was about -27°C (-14°F) most of the day. The wind wasn’t blowing so it actually wasn’t that bad (granted, I only needed to walk about 100m to the production office). Who am I wearing you ask? Well, the down jacket is from Land’s End and the fleece jacket is from North Face. The jeans are from Buffalo and the silk long johns are also from Land’s End as are the waterproof boots and fleece scarf. The wool hat is from Kangol. Now if only I had a red carpet.

Rust-PreProd-D05 - 03 When I woke up, I looked around as I am wont to do and noticed, through groggy astigmatic eyes, a white puff near the doorknob on the door frame. Glasses on, I walked over and saw a metastatic growth of snow on the door frame guard. It seems to have frozen some condensation that developed on it. The room’s not cold mind you, it’s a very comfortable 20°C (68°F). There’s also a little bit of frost on a metal guard at the bottom of the door, too. Nice!

But back to why I’m here. For some scenes in the movie, we need some 8mm footage from the 50’s, 60’s, etc. We had a chance to see some of the footage of that period. It is so awesome. We have birthdays, gatherings, Christmas, and births, kids playing in the yard, or being driven on a tractor – all great stuff that works so well in our story. Film folks! This footage is roughly 58 years old and it still looks great! Where is the data from this film going to be in 50 year?! Very sad to think about. When I have kids, I’m buying an 8mm camera and it’s all being recorded on film. You heard it here first.

Sidetrack again… A couple of days ago, I bought some groceries for pillaging late at night when I’m all alone ,writing in my blog, possibly in my jammy pants as I am now. I have a diminutive fridge but no hot plate. I do, however, have a coffee maker. I have become quite the coffee pot chef. A good skill to have if you travel. For recipes, please subscribe to my newsletter. Kiddin’

Quiet day otherwise. Got my crew… mostly. Should have everything in place in the next couple of days. Just smile, roll with the punches and never did mind the little thing! That’s my motto.

01 Feb 09 / 2100 CST: Windy out today. When Corbin (Dir) and I stepped outside to plan a shot on Main Street, the wind blew right through our jackets. (Incidentally, we didn’t bundled up as much we normally would.) The cold demonstrated an important lesson. As we talked about the shot, we soon discovered that the quickness with which we made decisions is proportional to the amount of cold we felt. Needless to say our meeting outside went very quickly and if this keeps up, we’ll likely have the film shot in about three days!

Another article about the film makes it into the news: click here.

Super Bowl today. Yeah! GO ONE OF YOU GUYS… YOU! YEAH!

Alas, a moment of Zen:
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Individually wrapped hotdogs! I think it’s brilliant and yet, it totally freaks me out. At first I’m thinking, “why are they using edible ink” – that was until I read the instructions to remove the wrapper. Oh, Canada. Love it. By the way… Not a bad hotdog!

31 Jan 09 / 2100 CST: Didn’t have to wake up early today, thankfully. I did however wake up this morning at 4AM discovering I fell asleep while working on my notes for the film. Cold and wondering what all the noise outside was, I went finally got under the covers and back to sleep. When I did wake up, I discovered the wind blowing and whistling like a banshee.

It’s warmer today, when the wind isn’t blowing. Comfortable to finish-out our location scout.

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↑ Good morning Kipling! For anyone who lives in snowy conditions, seeing this is old hat. But for me, it’s “winter wonderland” stuff.
→ Horse at one of our locations.

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↑ I actually like this photo…
→ A cemetery we’re considering. When I saw the plastic flower, it was moving but not in a sad way.

30 Jan 09 / 1150 CST: We headed out at 8AM to Regina to do crew interviews. I’ll write more later – enjoy these pics for now.

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↑ Dawn in Kipling. This photo is completely untouched. That’s what the camera saw, that’s what I saw. Amazing!

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↑ This way ladies and gents…
→ This will be our psychiatric institution set. How beautiful is that?!

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↑ A very drinkable local beer. Hope to find some when I get back. I loved it.
→ A neighboring table bought Corbin a drink. It’s good to be king.

29 Jan 09 / 0150 CST: A beautiful dawn in Regina. There we made a quick stop at the convenience store where I was informed that there is a black-light in the men’s bathroom. Why? Well, it seems it’s harder to find “your vein” under that light. Why? Well, I guess hitting up in some convenience store is an issue. Really!?

Rust - Recce Day 1 - 001
↑ My view from the Hotel Saskatchewan.

On of the striking things about being this far north is the beautiful quality of light exists here. It’s not just some DP mumbo-jumbo. The sun hangs low in the sky and the moisture in the air gently diffuses the light. Suspended above the horizon are pastel washes of rich pink, baby blue and pale lavender.

Rust - Recce Day 1 - 135
↑ The old town church, build around 1905, sits next to other history town buildings.

QUOTE OF THE DAY: “It leaks, but it works.” Chris, our producer, jokingly replies to a question about our system of filmmaking.

28 Jan 09 / 0150 CST: Travel went very well, all things considered. After kissing the wife and puppy good-bye at LAX, I payed a visit to US Customs. There with my 4455, in triplicate, and a detailed inventory list of equipment I was taking with me, I got my official stamp. By the by, both US and Canadian Customs officer mentioned ATA Carnet – a merchandise passport service that apparently speeds the process and insure you won’t stuck with a surprise duty fee or penalty. Good to know for next time.

Once in Canada, I had to get a work visa. There I got my first stamp on my new passport and my first “a-boot” when asked what the movie was “about”. I think the immigration officer was testing me to see what I would do! Frankly, it took all my strength not to break out into a South Park Terrence and Philip impersonation. With solemnity intact, it seems I had an easier time getting through immigration then the folks who preceded me. With my charta visa now stamped, paid and stapled with the official documents that allows me to work in the majestic province of Saskatchewan, I was off to my final destination of the night. From Calgary to Regina, the flight seemed shorter than the time it took to get my bags. Can’t complain much – at least they all arrived. A shared taxi ride to the Hotel Saskatchewan paid by my riding partner Kim who is here on business. Canadian hospitality is alive and well.

It’s two hours later than in Los Angeles. It’s time to call it a night and go to sleep on a wonderfully relaxing Sleep Comfort bed… I’m a 65 by-the-by. Tomorrow I scout locations in Kipling.

QUOTE OF THE DAY: “It’s easier to struggle than to watch someone struggle.” – Told to me by one of the Hotel Sask staff members when she tried offering me help with my bags.

23 Jan 09 / 0040 PST: With an eleventh hour application submission, my passport went through just in the nick-of-time. Looks like I’ll now be able to head north to Canada to shoot another film with actor/director Corbin Bersen.

The project is called “Rust”. It’s about a man-of-the-cloth who’s lost his faith and, in delving into a mystery in his small hometown, he discovers his faith again. I know it sounds like a Scooby-Doo episode, but it’s a good script with memorable lines, a chance to work with Corbin again, and a wonderful opportunity for me to shoot some gorgeous vistas in a little corner of the world in the land of our neighbors to the North. We’re shooting in Kipling, SK Canada.

Here’s a link to the following article which has more about the film’s story and the film itself.

Canadian town pools its funds for low-budget film

By Borys Kit Borys Kit – Thu Jan 22, 1:11 am ET

LOS ANGELES (Hollywood Reporter) – It’s almost like something out a of movie: A struggling, rural town decides to make a movie in order to turn around its fortunes.

But that’s exactly what Kipling, Saskatchewan, population 1,100, is doing. The Canadian town’s residents have banded together to form a company that will produce and finance an independent, faith-based film written by and starring Corbin Bernsen, the former “L.A. Law” star who now co-stars on USA Network’s “Psych.”

Things have been tough for prairie towns like Kipling, which is about two hours from the province’s capital city of Regina. The economy is rough, opportunities are few, and anyone with means heads to the nearest big city.

Kipling hit the news once before: In 2006, a blogger spent a year bartering a red paper clip for a series of items of increasing value; in the end, he exchanged a movie role for a farmhouse in the town. The person who offered up the role was Bernsen, who trekked to the town — which had collectively won the part — to hold auditions.

Bernsen couldn’t help but notice two things about Kipling: First, for a town that loved movies and wanted to be a part of the filmmaking process, it didn’t have a movie theater. Second, it had six churches, a lot for a town of just more than 1,000 residents. Bernsen quickly realized that his movie — the first word in the script was “c—sucker” — probably wasn’t suitable for the Canadian Bible Belt town, so he said he’d come back with another, more appropriate project.

COLLECTIVE EFFORT

At first, the town’s residents were skeptical, but when it became evident that Bernsen was serious, the mayor met with him in the town’s only motel and said Kipling wanted to finance the prospective film. Bernsen accepted the offer, even if he didn’t necessarily believe it would amount to much.

“I thought it was very cute,” he recalls. “But within months, we had over $237,000.”

Kipling’s more prominent members set up a 20-member board and created a company, Kipling Film Prods., in which friends, family and business associates could invest. It then set about raising money, using the local paper, going door to door, holding drives and writing newsletters. A group of elder women put their Social Security checks together to invest. Bernsen visited the town four or five times to give pep speeches and serve as a reminder to folks that, yes, there really was a Hollywood movie within their grasp.

Pat Beaujot, a farm machine maker and member of the board, takes the accomplishment in stride, saying it represents small-town values in action.

“If we want to fix the rink, people contribute money and time and they do it,” he says. “Things get done with volunteer labor and people donating money. This isn’t an unusual thing. It’s unusual in the sense that it’s a movie and not a facility, but this is normal for towns this size. Towns like ours really have to gather their abilities and financing and do it themselves when they want to accomplish something.”

He adds: “(People) thought it was like a donation for the town, to bring more activity to the town. That was part of the driving force behind it. And of course, everyone hopes we make money out of it.”

The movie, “Rust,” is set to begin shooting in early February, with Bernsen starring. The production will use a crew from Regina, working with actors who are members of the Alliance of Canadian Cinema, Television and Radio Artists, and take advantage of certain film incentives, including a rural tax rebate (for shooting outside of Regina). Bernsen brought in other investors to help bump up the final budget total, which is in the $260,000 range.

The plot, partially inspired by the 2007 death of Bernsen’s father, centers on a priest who undergoes a midlife crisis of faith and comes home to heal.

Bernsen, who says location scouting took all of one day, now is thinking ahead.

“These people want to start a cottage industry, and we’re already talking about the next movie,” he says, noting that he has found a farmhouse on a hill that rivals the “Psycho” house and would be good for a faith-based horror movie.

Reuters/Hollywood Reporter

We’re shooting two weeks in February and then again in the summer. I’ll check in as often as I can with updates of the project. (I hope they have the interweb there!? HA! What’s that a-boot, eh?)

What are we shooting this project on you ask? The Red One, I say. I’ll post more in the next couple of days. It should be fun even if it’s minus thirty degrees Celsius. Ouch! I’m putting together a set of notes for handling the camera in sub-freezing conditions.

I’m also taking up my copy of 3cP to color grade shots at the end of the day or on our day off. It’ll be a great way to work out the look, make improvements, and document my notes for when we return in the summer after the snow thaws.

See you all when I get back, eh! And don’t pick-up any stray loonies (or toonies or moonies… whatever).

1 Jan 09: Hey everybody! I’ll be in Canada from the 28th until the end of February. Please note that I’ll be unavailable most of the time. My mobile won’t have incoming service (outgoing costs 50¢ a minute), I may not be able to get text messages (although AT&T says I can), and my access to the internet will likely be spotty at best (small town hotel). Regardless, email will still be the best way to reach me to but keep in mind that I often won’t be able to reply until the end of the day or not until the next day. If I find a better way to reach me, I’ll post it here and on Facebook. I’ll also update my blog entry for “Rust” as often as I can for those of you interested on how the show is progressing, but it may only be bullet points.

If all else fails, let us please synchronize our watch to a designated time and I’ll send up smoke signals.

UPDATE: So wi-fi works in my room. Email is the best way to reach me until further notice.

“Dead Air” – final color grading

e. gustavo | narrative | Wednesday, January 14th, 2009

The final color grading for “Dead Air” just took place and I’m pleased, very pleased, with the results. The coloring was performed by Randy Starnes of Westwind Media in Burbank on a DaVinci 2K and was laid-down to Sony SR tape. A DVD copy should be available later this month – I look forward to viewing it on my home television. Popcorn anyone?!

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“Food Movie” short film

e. gustavo | narrative | Monday, January 12th, 2009

We’re going into the home stretch — we have a couple of locations shots left but the bulk of the project is shot.

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↑ Picture two of these boards full of storyboard fames, that’s how we started.
→ My favorite shot of David and Ryan. It’s on our insert set of the refrigerator.

Fridge - Day 6 - 25 Fridge - Day 6 - 26
↑ He shoots…
→ …he scores!! The dreaded pie that managed to stay in play for a month before its ceremonious farewell after a brief role in the film.

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↑ The lighting setup for the time-lapse shots consisting of three 40w par lights from Ikea of all places. They’re mounted on a C-stand using Cardallini clamps and links.
→ Our three camera setup for the time-lapse shots: two are HVX200s and one is my Canon XTi linked to and controlled from a MacBook Pro using the canon EOS Utility software.

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↑ Give me some of that Fincher $#!7. Oh the humanity!
→ A tighter shot of our underslung, camera rig – a little pat-on-the-back for Petersen.

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↑ I love this kludge. The camera is mounted to the tripod head from the camera’s handle. The tripod head is then connected to the C-stand. It allowed me to get very low and inside the “fridge set” with relative ease and still allowed for pan and tilt.
→ Our “fridge set” with one wall removed.

Fridge - Day 9 - 12
↑ Here’s a better view of the lighting setup (click to see a larger version) – below is the same photo with notes.

“Fridge” – short film

e. gustavo | commercial, narrative | Thursday, January 1st, 2009

What a wonderful way to end the year and start a new one, doing a project I’m enthusiastic about. The project is called “Fridge” and it’s directed by David Green and produced by Ryan Hendricks. “Fridge” tells the story of a community of refrigerator inhabitants and their valiant and noble struggle against a mortal foe – a baleful and metastatic ice that threatens to enshrine them if they don’t act quickly.

The bulk of the movie takes place inside a diminutive refrigerator. Shots we couldn’t get with the real fridge were shot using a small “set”.  It should be noted that all our little “actors” are being puppeteered by either Ryan or David with me lending a hand on a rare occasion to work the wires.  Also, since someone asked, this project isn’t stop action.

To light our little actors, we used a large array of LED “throwies” (see image below for more notes). We’re in the middle of shooting right now – I’ll add more in next year’s blog.

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↑↑ LIke Patton and Marshall planning the field of battle, David (dir) and Ryan (prod) map out the day.

Fridge - Recce - 1 Fridge - Day 1 - 02

↑↑ The fridge during the recce, notice the ice beast
↑→ To get all the angles we needed, we attached a baby spud / 1/4, 20 adapter to the handle of the camera and positioned the camera using a c-stand.

Fridge - Day 2 - 11
↑↑ Using the magnets to position the light. It’s odd how like lighting a large set the work has been.


↑↑ Role over the image to see my notes.

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↑&→ Images taken from the monitor don’t do the project justice since you can’t see the food animated.

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