Half way into the first week. For this show, I decided to try a white promist filter for the day and night exteriors and black promist for all interiors. The look of the 1/8th white with day exteriors worked wonderfully. Softening the highlights and flattening the dark areas added to our gloomy “living in the valley” look.
The crew has been so amazing. They’ve been one to two scenes ahead of production. We’ve been playing around with varying color temperatures. It’s subtle but it’ll look great when it’s boosted in post.

: : …to this. It didn’t happen overnight but it did happen. Great job by the construction crew.
I haven’t forgotten your moment of Zen.




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