"Lure" gets final color correction…

e. gustavo | narrative | Wednesday, March 29th, 2006

The short film “Lure” got its final color correction tonight at Tunnel Post in Santa Monica in preparation for its world premiere at the Tribeca Film Festival.  The grading was done to the captured HD camera original footage from the offline, miniDV Final Cut Pro EDL.

After some fixes having to do with the offline/online conversion, we were on our way to grading the image in Final Touch.  Final Touch is a software based, color correction system that includes the usual accouterments like primary and secondary color correction, power windows, setting storage, etc.  Cutting to the chase, here are some of my first impressions from working with Final Touch…  The one big advantage I could see is the random access to the footage and the ease of moving from FCP (or I’m sure any other edit system) to grading.  The biggest disadvantage is its inability to play the footage in real-time.  In short order I have no doubt that the program’s shortcomings will be dealt with.  For now, I like it just fine.

Look into the trade magazines or production related websites and you’ll likely see some reference to Tunnel Post.  They’re rising star on the indie DI front.  Teig, at Tunnel, helped with the offline-to-online fixes and also did the color correction in Tunnel’s downstairs bunker.

Thanks a bunch to Tieg and Alan for their help with this project.  Can’t wait to see it on the big screen!

Morton Custom Cycles in Concord, NC

e. gustavo | other, television | Friday, March 17th, 2006

LOCATION 3 OF 3: V-Twin TV (Speed Channel)
To quote the man in black… “I’ve been everywhere“.  So far on just this shoot alone I’ve been in or passed through:

Orlando, FL / Daytona, FL / Omaha, NE / Sioux City, IA / Sioux Falls, SD / Raleigh-Durham, NC / Charlotte, NC

Whereowhere
[ Click to enlarge ]

Travel Day (17 March)

to Charlotte, NC from Sioux Falls, SD

We just finished driving to the airport in Omaha, NE (heading for Chicago Midway) and I’m sitting at the terminal gate waiting on a plane that’s now an hour late.  The news of the delay spread as a rumor and jumped from passenger to passenger like the “telephone game”.  It has, only a few minutes ago, been confirmed.  We’re off to a great start!

The drive here was a reasonably long drive – 175 miles.  I’ve been driving these past few days.  I just took it upon myself to drive.  It’s been nice to be sure and I think I needed it – a bit of normalcy amongst the foreignness around me.  Anyone who knows me, knows I’m a driving fool.

The view from the driver’s seat is filled with nothing but big skies with puffy cotton ball clouds and vast, open land dotted occasionally by farm houses and silos.  Wherever you look, you find these islands of trees that surround the barns and farm houses like wagons circling settlers in the mist of an attack.  In this case, the attack usually comes from the wind, snow and heat.  Everything here is dry and dead right now. I haven’t seen a bird once during the past three days.  Whoa, I take that back.  I did see three hawks in the span on five miles.  It was like déjà vu – each bird of prey was facing east and sitting on a tree that looked remarkably similar to the last.  I marvel at how quickly the snow covered ground of Sioux Falls faded away to the barren land of Iowa.

Much of that South Dakota snow finds its way onto the underside of cars, trucks and semis and from time-to-time that buildup of dirty snow and muddy ice falls off.  On really big trucks, when large loads of snow and ice fall off, (pardon my crudeness) it really looks like a horse in a parade taking a dump!  It’s funny – real funny when you’re tired – in this case, it’s no big deal if you go over it.  And then there’s the dead skunk in the road that took at least ten miles to get the smell out of the van.

The roads here are long, straight, and generally wide open.  Eight miles-per-hours is the norm.  These roads offers a driver a Zen like quality.  Solitude and a time to focus without much thinking – at times, so much so, a chance to forget oneself.  And then there’s the time where you get to think and be a little introspective.  Thinking of home and friends and family and those things left behind and undone.

It hasn’t been a huge amount of time away but it’s been a lot longer than just a weekend jump.  (Today marks the 12th of 18 days away.)  I miss my bed and the girl I share it with.  I miss her touch, her affections, her smell, her gaze.  Just a bunch of guys on a road trip is fun for only so long.  And let me tell you I really miss her profoundly delicious cooking that just shouts “home” to me.  I think I only had two good meals this trip so far.  I miss the waft of cooking as I come in the front door, I miss stinky cheese, a good Tequila cocktail, bread from La Brea, and the variety and taste of anything that’s not from a nation-wide chain restaurants.  I miss Tivo, my couch, my crappy truck, my other clothes and shoes.  In general, I miss home in Los Angeles and the familiar.

Signs abound here with “Omaha” written on them and with each, I am transported to my childhood my memories of watching “Mutual of Omaha’s Wild Kingdom”.  How I loved watching that show each week and how terribly disappointed I was when it stopped airing.  It was a family event to watch the show together.  But hell, all good things must end.

IMG_7730.JPG
Bye, bye Omaha…

Up, up and away.  Thirty-thousand feet in the air with Chicago sprawled out beneath me and our heading is set to Raleigh, North Carolina.  Below Chicago is a systematic pattern of grids.  Tracks flow north and south and east and west like engineer’s paper.  I love it – I have to guess that it’s easy to get around in such a set-up.  My only disappointment is that our delay gave us no time to eat some authentic Chicago pizza!

Someone passed gas near by while on the plane and even with the fan aimed straight at me and set to full blast, it isn’t enough to keep the stink away.  (I think someone did it on the flight out here too.)  It’s a full house tonight – everyone is suspect!  Tip to the traveller, always check-in online.  We always do it and we always get to go in first.

IMG_7749.JPG
All of Shy-town beneath my feet…

Picture 3

That’s my room in the cross-hairs.  Shui!!! – Thanks Google Earth

Img 7753

I hate getting “juked”!  In this case, the vending machine here has drinks for 80¢.  I’m thinking it’s the usual 16 oz. can – what a bargain.  Nope.  It’s this tiny 10 oz shot.  I know it’s only 6 oz. less but a matter of principle.  One usually expects a 16 oz can from a vending machine and you should get one – especially when there aren’t any signs saying otherwise.  I’m grumpy because I’m tired.

Anywho, it’s late here – back to -6 GMT.  A thousand winks for me.  Happy St. Paddy’s day…

When we drink, we get drunk.
When we get drunk, we fall asleep.
When we fall asleep, we commit no sin.
When we commit no sin, we go to heaven.
So, let’s all get drunk, and go to heaven!

Travel Day (17 March)
to Charlotte, NC from Durham, NC

IMG_0012.JPG
(Trees, trees, trees and I can even hear a few birds.)

IMG_0010.JPG
(More rivers, waterways and lakes – I love bridges and trains.)

IMG_0008.JPG
(Bikers on the road with jackets that say “North Carolina Outlaws” – HA! – the last guy on the right, his jacket says, “Probational Outlaw” – I think John said it best – “is he a pledge?”)

IMG_0005.JPG
(I forget it’s “Hardees” here and not “Carl’s Jr.”.)

Morton’s Custom Cycles (20-22 March)
Concord, NC

Leaving for Cali this morning.  We’re driving from Charlotte to Raleigh-Durham then stopping over in Phoenix and finally landing in Burbank.  Here are some pix from the past few days.  I’ll leave you with this… “Sweet! Like a warm toilette seat!”  (How’s that for southern wisdom.)

Waiting in the terminal right now – let’s see how long the batteries last.  That bit of southern wisdom came from Dan – one of the shop’s mechanics.  I’ll have more on Dan later.

You can’t throw a stick in any east coast, southern state without hitting something that has some Civil War significance.  Except perhaps where we were.  Still the antebellum  influence can be seen in the streets, architecture and even to this day, its people.

The part of Charlotte we were at is eerily reminiscent of South Coast Plaza and the surrounding communities.  Affluent people, big cars, large property lots, and an attitude which I think anyone from Orange County would easily spot. If you can get past that (which is a bit hard for me) the what I saw here was nothing short of beautiful.  Rich red brick on colonial style homes, fanciful Romanesque columns and round-a-bout drive ways with fountains in the center.  Cherry blossoms in full bloom, staggeringly tall, old growth trees, and bold emerald

Running out of power.  To be continued… same bat time, same bat channel!

IMG_0031.JPG
The “M-tric” logo is a girl passing gas.  The slogan… “Selling the best looking sound”!

IMG_0069.JPG
Doug (shop owner) gets a first try at the board bike almost done.  All that’s need is to clean up the welds, grind down some parts, paint and wire it up.

IMG_0054.JPG
Blair (our sound mixer) testing out a custom.  Standing still is more my pace, too.

IMG_0020.JPG
The last time I had to endure sleet was in West Virginia.  Most of the time it felt colder in North Carolina than it did in South Dakota.

IMG_0044.JPG
This is how I imagine the South.  Distorted? Yes.  Stereotypical? Yes.  Idealized?  Yes, again.

IMG_0038.JPG
Terry’s Kitchen used to be a automotive paint shop.  When the business when under, Terry started a restaurant.  BBQ and fantastic.

IMG_0073.JPG

Here’s one for the books.  The day before leaving we ate at a restaurant call “Harper’s”.  Fine dining at a reasonable price.  They’ve got a great menu and an excellent wait staff, especially ours.  At the end of the meal, I asked if she could break a twenty – bad move.  She coyly said, “Sure enough” and looking me dead in the eye, proceeded to tear my twenty in half.  I was dumbfounded on the outside and laughing on the inside.  The kid’s got moxie.

IMG_0103.JPG
Here’s something I you don’t see everyday in Southern California – water towers.  I always assumed (apparently wrongly) that the towers were water reserves.  I suppose in a small way they are but they’re mostly to keep the water pressure high in outlying communities.  Sweet, like a warm toilet seat.

IMG_0091.JPG
Dan and Rodney cleans up the last of the welds on  the frame of the “board racer”.  At the end of the shoot, I asked if they could let me try the mig welder.  They said “yes” and that might have been the best thing about this trip.  Tools, fire, sparks, and molten steel – how fricken sweet is that?!

IMG_0082.JPG
Bojangles is kinda like KFC only a little more tangy and a little more southern.  The best part, all you can eat Wednesdays!  Not a raw vegetable in sight.

HOMEWARD

“Ding” you are now free to roam around the country…  The production company is using Southwest on our trips.  I think I like this airline.  The service is good, the lack of seating order has been seems to work.  The way Southwest works is you’re assigned a boarding designation: A, B, C.  The sooner you check-in (we check in online the night before), the chance of getting an “A” improves – an “A” designation allows you to board first.  The flight attendants on this trip home were especially funny.  I think it’s their thing.  She would say things like “this is a no smoking, no complaining, no whining flight…” or “should the cabin loose pressure we would not have shown up to work today…”.  A list material, really!

Twisted Chopper in Sioux Falls, SD

e. gustavo | other, television | Sunday, March 12th, 2006

LOCATION 2 OF 3: V-Twin TV (Speed Channel)

Travel Day (12 March)
to Orlando, FL from Daytona, FL

I forgot to mention that the show airs on Speed Channel on Tuesday evenings.  It’s part of Speed’s 2-wheel Tuesday or something like that…

We drove in to today.  Some of the crew is flying back to Los Angeles and one of the producers and I are now off to Sioux Falls, South Dakota.  I didn’t know I’d be going anywhere after Florida so I don’t pack much in the way of warm clothes.  I looked around today for warm clothes and boots (they left me with my own vehicle).  No luck.  I understand there’s a mall near the hotel – I might give it a try there.

We’re staying in Orlando today before flying out tomorrow.  I was surprised to find that the neighborhood around the hotel has a small Vietnamese community.  I was hoping to grab a bite at one of these restaurants but everything closes a quite early around here.  (That’s something I do miss about Los Angeles – open late just about everywhere.)  Maybe I’ll get some pho when I get back.

Today was to be our day off, but with so much to do, it was more of a respite.  One of my errands was laundry.  I got jacked!  The only place I could find charged $1.50 per load and a whopping ¢25 for 5 minutes on the dryer!  For those of you who don’t usually use a laundromat, that’s a lot of money.

We’re staying at the Courtyard Marriott.  I have to say, it’s a real nice hotel.  Free high speed internet, free printer use in the business center, and clean roomy suites. If only every shoot was this nice.  I even got to go swimming for a while.  I needed that.

IMG_7568.JPG
Everywhere around here you’ll find lakes.

IMG_7564.JPG
This is an amazing looking school.  I wonder what kind of person I would have become if I had attended a school like this?

IMG_7570.JPG
My chop sticks  – Plan B when I don’t get cutlery.  Like this time!  (Many thanks to my friend Aaron for getting me this birthday present.)

IMG_7571.JPG
The sign on the clock above the shop says, “between the buns” – tee, hee, tee, hee.  UPDATE: I was shocked to see that THIS hot dog stand was used in “Larry the Cable Guy: Health Inspector”!!!  Check it out in the trailer.  Can I pick a location or what?!

Picture 1-2
Larry the Cable Guy: Health Inspector
– (clip from the trailer)

Travel Day (13 March)
to Sioux Falls, SD by way of Omaha, NE

It’s 1 p.m., Eastern Standard Time.  I’m somewhere over Georgia or possibly Alabama.

IMG_7589.JPG

I never tire of looking out of an airplane window.  I take picture after picture and wonder what’s going on down there.  The twist and turn of streets, highways, byways, toll roads and dirt trails peeking through cotton candy clouds looking like the capillaries on a leaf.  I think about all the lives I’ve flown over and the vast number of communities and moments that have just passed.  Tens, hundreds, thousands, even millions of people.  I can’t help but wonder what event in their lives I’ve just flown over.  A traffic accident, a birth, a death, a fight, a promotion, a meal being cooked, a child’s first step, a first kiss?  We live such insular lives until times like these awaken our thoughts that we really are not alone.  Our troubles aren’t just ours.  Within those sky-scrappers and  farm fields, those shacks and mansions are people not really much different than you and me.  And then, i peer out my window again and I continue to look down and think to myself, I’m a lucky man.

• • •
I drove us from the airport in Nebraska to the hotel in South Dakota.  We had a GPS navigation system – it was funny to hear the unit say, “do this in for .3 miles”, then quickly followed by “do that for .3 miles”.  Then, when we got on the freeway, it said “follow I-29 for 168 miles”… silence for a really long time.

IMG_7607.JPG

It was 175 miles of this… Cold, dry Nebraska and Iowa soon gave way to really cold and snowy South Dakota.  By nightfall, the temperature was down to 10° F (-5° C).

IMG_7616.JPG

Twisted Chopper (14-16 March)
Sioux Falls, SD

IMG_7622.JPG

John (director) getting some shots on the way to our hotel.

IMG_7669.JPG

(Tuesday) This was a flat piece of sheet metal yesterday.  It was all done by hand and various presses and punches.  All of the gas tanks for their custom choppers are hand-made instead of stamped.  In total, it’ll take three days to hammer and weld this out.

IMG_7665.JPG

Windy today, 24° outside – feels like 12° with the windchill according to the weather channel.  It’s funny, many of the  folks who live in South Dakota don’t want to live in South Dakota but you stay where you know.  It seems few people like cold winters.  Still it is beautiful here at times.  When we arrived, it felt like Christmas.

IMG_7662.JPG

Wishing I was back at the cozy and warm hotel.  Yesterday (Tuesday) was warm and enough of the snow melted to make mud, which is today frozen.  It’s late at night right now and I’m in my hotel room.  The wind is howling and just outside my window are a few pine trees swaying from the wind while a couple of bunnies are playing underneath their boughs.

One thing that freaked me out, and that I didn’t expect here, was how gentrified America has become.  What happened to all the mom and pop shops?  This part of Sioux Falls is completely inundated with nation-wide chain stores and restaurants.  It’s a bit disgusting and too familiar for my taste.  But on the other hand, the few local restaurants we’ve visited have been disappointingly awful.  I don’t know which is worse.

Last day to play…

IMG_7692.JPG
The tank more than half way done.

IMG_7716.JPG
The finished tank – L to R – Blair (sound mixer), Jason (Twisted Chopper owner, builder), cheese… e me!

IMG_7712.JPG
The fished tank with the signature gas cap.

IMG_7703.JPG
Jason on the “rat” bike he and Kai made called the Mudshovel Bobber.

IMG_7702.JPG
This is by far and away the best bike I’ve seen – the EXO-chopper.  So much so, I want it.  Ah, someday! Twisted Chopper

IMG_7699.JPG
Mudshovel Bobber featured at David Mann’s Bob’s Back Museum Exhibit at Sturgis 2004 at Journey Museum.

IMG_7697.JPG
Blair watches on as Jason welds.

IMG_7696.JPG
Buffalo burger… yum!

IMG_7689.JPG
Quiet Chad working on a prototype.

IMG_7684.JPG
Kim and Kai behind one of the bikes we featured.

Well this marks the end of this leg of the trip.  Tomorrow we drive back to Omaha, NE and then fly out to Raleigh, NC.  We’ll be there two days and then drive out to Charlotte, NC on Sunday.

I think this was a much easier shoot than Daytona, the only difference is that it was a much more tiring shoot.  Party, because we didn’t really have any time off, but also because this time I shot mostly handheld.  I’d say roughly 80%.  I think it produced much better shots but it did a number on my shoulder blades, biceps and lower back.  If you think mini DV cameras are light as a feather, try adding a glass wide-angle lens to the front and holding it out in front of you for six hours out of an eight hour day – it adds up.  The remaining time I used a Steadi Stick by Tiffen.  It’s useful (I’d use it again I suppose) but limiting.  The way it works is that you strap a belt on and an adjustable stick is attached to the belt and a plate that’s attach to the base of the camera.  It helps support the weight of the camera on your hips mostly.  It helped especially when we would do interview that continued for 50 minutes a stretch.  Why not use a tripod…  my back certainly wishes I did!

Sa500541
(John sits on Chad’s bike holding the shop kitty “Kitty”.)

John’s our field director/producer.  He’s a good egg with a good head on his shoulders.  He’ll come up with questions that just escaped me to ask. He also can spin a yarn with the best of them.  He’s got some great stories both personal and production related.

Here’s one anecdote he shared from a book he owns and it is quite possibly one of my most favorite stories because it holds so true to production work…

Technical troubles developed with a huge new generator at Ford’s River Rouge plant. His electrical engineers were unable to locate the difficulty so Ford solicited the aid of Steinmetz. When “the little giant” arrived at the plant, he rejected all assistance, asking only for a notebook, pencil and cot. For two straight days and nights he listened to the generator and made countless computations. Then he asked for a ladder, a measuring tape and a piece of chalk. He laboriously ascended the ladder, made careful measurements, and put a chalk mark on the side of the generator. He descended and told his skeptical audience to remove a plate from the side of the generator and take out 16 windings from the field coil at that location. The corrections were made and the generator then functioned perfectly. Subsequently Ford received a bill for $10,000 signed by Steinmetz for General Electric. Ford returned the bill acknowledging the good job done by Steinmetz but respectfully requesting an itemized statement. Steinmetz replied as follows: Making chalk mark on generator $1. Knowing where to make mark $9,999. Total due $10,000.  (From www.wikipedia.com – thanks John)

The folks at Twisted were incredibly nice, hospitable and above all genuine.  It was a great visit and should make for a good segment.  Snow, good people and a chance to admire a couple of guys who love what they do and strive for excellence.  The aspect of the bikes they build that most impressed me was not just that they look good – real good – but that they make sure that the bikes are ridable and dependable.  I wasn’t kidding when I said I want the EXO bike pictured above.  I certainly hope to someday have these guys make me a bike.  Sweet!

Many thanks to Kia, Jason, Jeff, Kim, Chad, Chad, and Chad.

Bike Week in Daytona Beach

e. gustavo | other, television | Monday, March 6th, 2006

LOCATION 1 OF 3: V-Twin TV (Speed Channel)

Travel Day:
6 March:

I just flew into Florida and boy are my arms tired!  (Ha!)  Back to Florida for Bike Week in Daytona Beach.  I’ll be here all week… (No, that’s not a punch line to a joke.)  We’re featuring some of the celebrities in the custom bike world.  The show’s called V-Twin TV (airs on Speed Channel) and part of Easyriders Magazine.

I’m one of two camera teams covering the event.  They’re expecting some quarter-million folks.  Seems about right.  I went to the corner market for some water and snacks and at one point I could hear in complete 360° a cacophony of rumbling choppers and roaring street bikes.  Don’t know how much I’ll have to detail but I’m sure I’ll find something worth talking about.

IMG_7370.JPG
(I can never get over the view from thousands of feet above the world.)

IMG_7360.JPG

IMG_7377.JPG
(The road from Orlando to Daytona seem to be all one-way with old growth trees on either side.  It reminds me of “Miller’s Crossing”.)

IMG_7385.JPG

Day 2:
8 March – Destination Daytona
:

Not much to say so I’ll just show you my journal entry in pictures with a few notes.

IMG_7448.JPG
It’s the winner of the Easyrider magazine 35th anniversary bike give-away.  With the winner is Eddie Trotta – the bike’s designer/builder.

IMG_7440.JPG
Eddie Trotta

IMG_7444.JPG
The handlebar from the bike that was given away.

IMG_7441.JPG
One of the bikes that I just loved – reminds me alot of the bike in Akira.

IMG_7424.JPG
The food at the event almost unanimously sucked – save one place.  This place had the best pulled pork sandwich I’ve had in a long time.  I’ll be back again tomorrow!

IMG_7421.JPG
No, that’s not a man – but yes, a little creepy.  She’s one of the “beer girls” – they sell beer at booths.

IMG_7388.JPG
Tim – the sound mixer assigned with me.  Great guy and great mixer!


Now, your moment of Zen…  You get two for today!

IMG_7407.JPG

IMG_7443.JPG
…any takers!

Day 3:
9 March – Beach Street & Destination Daytona

IMG_7457.JPG
(Our team at Beach Street.)

IMG_7471.JPG
(Back to Destination Daytona.  Under the sign, just to the left of the freeway sign, is the two story, Harley Davidson dealership.  Part of the project also includes hotel rooms and condominiums – all pre-sold before ground broke.)

IMG_7462.JPG
(Oh you silly folks from Québec!)

As you most likely know, costal Florida is mostly swamp land.  All over the place you’ll find marshes, swamps and pools of water.  You’ll even find little canals and pools near the markets that look like motes and you really can’t help but wonder are they trying to keep the Evil Knight from getting in!

Day 4:
10 March – Biker Build-off & Awards

IMG_7488.JPG
(We started our day with a visit to a swap meet where bike builders buy parts.  Among the carney food vendors was one that had home made ice cream.  The ice cream sucked.  Next…)

Sa500435
(Billy Lane checking out and encouraging another local bike builder’s 10 day build.)
IMG_7518.JPG
(It’s like this all over the place)

IMG_7516.JPG
(Some homies from the old country.  Love it! …at least they didn’t have a sicker with an ox on the side of the tank! Ouch!!!)

IMG_7508.JPG
(If you look at the middle of the picture, that guy is chugging a 5 litre bottle of Jack Daniel’s – that bottle, incidentally, was one of three bottles passed around to the audience.)

• • • What did we learn today?  That during spring break and Bike Week in and around Daytona Beach, you’re more likely to find big bellies on the street than big boobies.  Very sad! • • •

One last bit of business, I won’t be home again until March 22.  I’m off to South Dakota and then North Carolina.  I miss Cali.

Day 5:
11 March – Blood, Guts and Gears & Dyno Drag

The week is over and so is this leg of the shoot.

IMG_7543.JPG
(One of the coolest cars – I wish it was mine.)

IMG_7536.JPG
(One of the coolest things I’ve seen all week.)

IMG_7548.JPG
(One of the coolest people here – Dave Campos – The current record holder at 322 mph on a motorcycle.)

IMG_7551.JPG
(How lucky am I!)

Panasonic HVX200 test drive

e. gustavo | commercial | Saturday, March 4th, 2006

Today I had a chance to shoot a small commercial project and the shoot also served as a test of the new Panasonic HVX200.  And the verdict on the camera is… you’ll have to read the following first.

I shot the commercial for my friend and director, Justin Viar at Next Movement Entertainment, for – of all things – a termite company located in the Central Coast of California.  It was a small shoot – the director, me, a helper and the production coordinator.  The spot’s premise is that of a horror movie trailer – a little kitschy , a little real.  It was one day of shooting with various lighting situations and frame rate changes. In all, it seemed like a good way to put the camera through its paces.

So what did we have.  We rented from Moviola in downtown Hollywood, California.  We took out a Panasonic HVX200, 2x 4 GB P2 cards, Sony Trinitron high-resolution field monitor (standard definition), Cartoni fluid head and tripod and about five batteries and one charger.  (I would suggest that if you rent, order two chargers.  Both chargers can be used at night and on set one can charge a battery while the other can be used to power the camera.)  We used the internal 720p to 480i downconverter to view the footage on the Sony monitor.

So what did I like
I’m not gonna review the camera’s many technical specifics – enough of that information can be found on the Panasonic website and on numerous forums.  But right off the bat, I like the fact that it shoots real HD and not HDV.  I think this’ll make a huge difference in editorial and with any effects work that might have to be done.  We used my laptop computer (a PowerBook G4 1.25 Mhz) to download the clips using Final Cut Pro to an external, FireWire hard drive.

I generally like the menu structure.  More often than not it was very easy to navigate.  In fact, I figured out most of the camera without reading the manual.  It’s a good cross between the DVX100 and to a lesser degree, the VariCam.  (I appreciate Panasonic for making their manuals available as PDF files.)

One of the functions that the director especially liked and found useful is that of being able to playback the footage on the camera and view the HD footage on a standard definition monitor (.  Takes can be reviewed, speed changes can be evaluated and it’s non-linear so you can review any take on the card(s).  The best part is that there’s no issues when reviewing takes.  (Reviewing takes can cause all sorts of problems with tape systems like breaks in timecode and wear on the tape.)

Two features that I really like are focus assist and clip marking.  Focus assist is a feature that creates a picture-in-picture zoom of the middle of the frame.  It’s like a feature available on the VariCam.  I used it all the time to check focus – a little piece of mind.  Clip marking also proved helpful when reviewing previously shot clips by marking the ones you like best.

Being able to shoot in either 1080, 720 or 480 as well as various off speed and interval shooting is possible with this camera.  I can’t wait to shoot an intervalometer shot.

One of the biggest advantages that came with the DVX100 is having numerical values for focus distance.  This camera went one step further.  It gives you a numerical value but it also gives you feet and inches.  It also gives you shutter speeds in degrees as well as the traditional video value of fractions.

We took out two, 4 GB P2 cards which work out to about 20 minutes in 720p/24.  I actually like this size of footage capacity.  We worked more efficient knowing there was only a limited amount of space.  It was a film shoot type of efficiency.

So what didn’t I like
I hate to say it but the camera isn’t perfect (nothing ever is).  So here are some of my beefs with the camera.  As of now, there’s no way of downloading the footage from the P2 card straight into my laptop’s PCMCI card slot.  I understand that it’s in the works but it doesn’t work right now.

I always wish the lens was wider.  But with 3rd party products available, this is a minor issue.

I do however wish frame line markers were customizable.  We shot 16:9 with the intention of only using 2.35:1.

And finally, I wish the camera was a 2/3″ chip (or larger, of course).  While at Movieola, the prep tech mentioned that the next generation of the camera would be a 2/3″ chip.  I’ll believe it when I see it and I hope I see it at this year’s NAB.

The verdict is…
And so, when all is said and done, the verdict is… good but not great.  I do love the camera, I can’t wait to use it again and again (any takers, anybody, anybody?).  But, I can’t wait for the 2nd generation of the camera.  Panasonic has been a good listener of its customers and I have no reason to doubt that they won’t continue this tradition.

IMG_7342.JPG
(I broke out the scarf and the Jimi Hendrix t-shirt)

IMG_7334.JPG
(My 2.35:1 frame line markers)

IMG_7329.JPG
(Opps!)

IMG_7326.JPG
(Pre-scored the “wall explosion”)

IMG_7325.JPG
(Our first shot of the day – sans the actors)

IMG_7318.JPG
(Zen shot as we drove to the location – it’s “Zen” because I was sicking the camera out the window and just firing off shots.  Lucky!)

Fyuzion telecine

e. gustavo | music video | Saturday, March 4th, 2006

Our first look-see of the footage since we shot it and I have to say, “not bad, not bad”.  It definitely doesn’t look like a hip-hop video.  The transfer took place at Entertainment Post in Burbank. 

It rained today.  Our colorist, Guy, was a half hour late as were we.  It could have been a sign of things to come but it wasn’t.  Our use of high speed and high shutter angle had me terribly worried but most of that worry didn’t materialize.  All but approximately six shots turned out better than I had anticipated.  The six or so were casualties of too little time and too many expectations.  I think they’ll be salvageable when during the online session.  We transfered the footage to DVCAM.  It was a one-light transfer with Keycode and timecode burn-in. 

So what happens next.  The footage will be edited in the coming week by editor Tony Hope.  Once the director is happy with the cut, we’ll conform the EDL for 24 fps.  That EDL is then taken to our post facility, “Tunnel Post” and the selected shots are then scanned at 2K from our camera originals.  (Some might be scanned at 4K for zoom and re-composition.)  Compositing and dust-busting are done in Apple Shake or After Effects and a very preliminary color-correction is added and the image is cropped to 2.35:1.  Final color-correction is done on Silicon Color FinalTouch in 2K.  We’ll likely go back to CFI for our film-out, D-beta, etc. 

Or at least, that’s the plan… stay tuned.

Fyuzion if finished…

e. gustavo | music video | Wednesday, March 1st, 2006

…well at least the shooting is done.

We finished out a lovely 16 hour day yesterday in the OC.  Photography for the video is all but done.  The only thing left are the plates for the greenscreen.  We returned to the music studio in Garden Grove.

Not much to report.  It was busy and slow and off and on – a hurry up and wait sort of day.  But the footage is really quite good.  I can’t wait to show some stills of the footage in the coming weeks.  I’ll write more later…

Img 7234

(Victor (1st AC) and Katie (1st AD) – notice the shirt (how appropriate!)

Img 7255

(Roscoe enjoys a Cup-o-Noodles between takes)

IMG_7235.JPG
(spiky hair day)

IMG_7275.JPG
(the last set-up of the show – sans the green screen plates)

IMG_7287.JPG
(shot from the monitor)

Fyuzion Grnscn Last
(click on thumbnail to see lighting plan)

Notes for greenscreen lighting plan
This was totally low-budget but it worked surprisingly well.  Here’s the low-down:

#1
- 1K Fresnel with 216 diffusion and three doubles on a “beaver board”
#2 - 650w Fresnels with 216 diffusion and two doubles on C-stands / 2 near the bottom (1′ off the ground) and 2 about 8′ off the ground
#3 - 2′ 4-bank Kino with Orange gel to simulate sodium vapor night light – approx. 5′ off the ground
#4 – 2′ 4-bank Kino as front fill on faces – approx. 4′ off the ground
#5 – 1K Fresnel on a C-stand with Orange gel to simulate street lights. NOTE: the light was panned, then shut off after it cleared the actor, reset to its first position and then panned again with a four second interval – approx. 9′ off the ground
#6 - 1K open face – not used but set to simulate an oncoming car light – approx. 4′ off the gound

The greenscreen was 11 feet (20 fc) from the car and varied no more than .3 of a stop.  We shot at ƒ2.8 on a 35mm lens.

In total, we shot just under 12,000 feet of film.  Our lab is CFI/Technicolor.  We’ll be transferring a best light to DVCam and then a 2K scan of the footage for final color and visual effects.  More on that later.

IMG_7228.JPG
(Clay Delauney (Director) in the middle of an “Oh, my!” moment.)
IMG_7231.JPG
(The crew flanked by our producer and our hero, Jeff Cole (far right))

Addy Awards

e. gustavo | other | Wednesday, March 1st, 2006

CONGRATULATIONS to Justin for a Gold and Silver award at the American Advertising Federation’s ADDY Awards.

He got the award for a couple of projects we worked on together for Cuesta College and a few others for projects his company produced.  Great job!!!

Powered by WordPress | Theme by Roy Tanck | personalized by yours truly